162 results where found for «The Soldier»

National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« The Puchuncaví Prisoners Camp had a daily routine similar to that of military regiments. In a ridiculous ceremony, the flag was raised every morning at dawn and then it was taken down at nightfall. »
[...]
« [Your names, courageous soldiers »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Eduardo Ojeda
Experience in:
Campamento de Prisioneros Isla Dawson, September 1973
Tags:
« We arrived at Dawson Island on the afternoon of 11 September. All we knew was that we had been arrested in the morning - nothing else. »
[...]
« [Your names, courageous soldiers »
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Story of the Chair (Historia de la silla)

Music piece by:
Silvio Rodríguez
Testimony by:
Eduardo Andrés Arancibia Ortiz
Experience in:
Cárcel de Santiago, 1990
Tags:
« This was one of the songs Silvio Rodríguez sang to us the day he visited the political prisoners in Santiago’s Public Jail in 1990. »
[...]
« That is why he is a soldier and a lover, »
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Song of the Disappeared (Canción del desaparecido)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Cárcel de Valparaíso, 1976
Tags:
« Several of my friends and comrades disappeared after being arrested. The dictatorship denied knowledge of their whereabouts but I knew they were lying. »
[...]
« The same soldier who imprisoned me »
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The Black King (El rey negro)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« One cold winter night of 1975, the small clinic of Melinka, in the Puchuncaví Detention Camp, became the setting for a touching story. »
[...]
« A week later we held a cultural event in the dining room to celebrate the happy event occurrence. On that day I finished writing my song 'The Black King' and I sang it for the first time for an audience comprised of political prisoners and soldiers. »
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Creole Mass – Gloria (Misa criolla - Gloria)

Music piece by:
Ariel Ramírez
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November – December 1973
Tags:
« As far as I remember (and there may be other versions), Los de Chacabuco band was founded by Ángel Parra in response to a request by the Army chaplain Varela, who asked for assistance for the Mass he celebrated for both prisoners and soldiers. »
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Anthem of Puchuncaví (Himno de Puchuncaví)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« A few weeks before being transferred to Valparaíso Jail - where I would face a war council on account of alleged violations of the State Interior Security Law and other military regulations that existed during the state of siege - I wrote a song that I called anthem, because I wanted it to be sung as a group at the end of our cultural events on Fridays. »
[...]
« That song was called 'Die Moorsoldaten' ('Soldiers of the mud'), which prisoners of the Burgermoor concentration camp sang during their backbreaking working days. »
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They Say the Homeland Is (Dicen que la patria es)

Music piece by:
Chicho Sánchez Ferlosio
Testimony by:
Sergio Reyes Soto
Experience in:
Campamento de Prisioneros Isla Dawson, 1973 - 1974
Tags:
« This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom. Rolando Alarcón, and later Quilapayún, introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »
[...]
« I sang this song often because it accurately described our situation. The words plead to soldiers not to fire against their own people. Rarely did this occur in Chile, but we shared our prisoners’ barracks, called Remo, with three members of the Air Force. »
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King Ñaca Ñaca (El rey Ñaca Ñaca)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« 'Ñaca-ñaca' was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might cross our minds. That may be why it seemed the ideal name to give to the paper maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. »
[...]
« In this play, Ñaca-Ñaca’s guards – his soldiers – were the Puínes, which directly alluded to the barbed wire. It would have been difficult to make it any clearer: what we were doing was a staged and metaphorical enactment of our own story. And we did it with a good measure of optimism, as shown in the fact that at the end Ñaca-Ñaca loses his voice – that is, his power - and he loses his mind. Thus the captives become free. »
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St John Passion (Pasión según San Juan)

Music piece by:
Ángel Parra
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
Tags:
« This song is the third track on the cassette recorded in the Chacabuco concentration camp by the band Los de Chacabuco, formed by Ángel Parra and conducted by him until his release. »
[...]
« This song, like the Gospel of Luke, was performed by Los de Chacabuco during the masses offered by the chaplains for the benefit of both prisoners and soldiers. The narrator, as was the case for other religious pieces, was Antonio. »
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